|
The following is a list of typefaces designed by Frederic Goudy. Almost all are old-style serif designs unless otherwise stated. Italics are listed where Goudy created them. Links are given to digitisations, though it must be stressed that many revivals may add italics and/or bold weights even if Goudy never designed one. Key sources are Goudy's autobiographical writings: of all the designers of the metal type era, Goudy was the only one writing in English to write so extensively on his work and provide commentary on all of his designs. Goudy gave his blackletter designs the adjective ''text'', short for 'textura'. This designation was common in Goudy's time but is now avoided due to confusion with fonts intended for body text. ==1896 to 1910== * Camelot (1896, Dickinson Type Foundry), Goudy designed only the capitals, lower-case letters were later added, presumably by Dickinson/ATF designer Joseph W. Phinney. A delicate display face with small wedge serifs. * ''Unnamed'' (1896) this was a second set of drawings sent to Dickinson Type Foundry that he sent them after they had accepted ''Camelot''. It was neither accepted nor cast, but Goudy numbered it among his faces. * ''Display Roman'' (1897, nc), based on a design in ''The Studio''. Goudy numbered it among his designs, though even he was unsure of what it was or if it were ever cast. * Devinne Roman (1898, Central Type Foundry, ATF), a book face based on a display type that had been earlier commissioned by Theodore Low De Vinne. * Pabst Old Style or Pabst Roman (1902, ATF), based on hand lettering done by Goudy for advertisements for the Pabst Brewing Company, though commissioned by Schlesinger & Mayer, a Chicago department store. Cast by ATF with the proviso that the department store would have the exclusive use of the font for a time before it would be offered to the public. These were the first matrices cut by Robert Wiebking for Goudy. The design had a strikingly low x-height. * * ''Pabst Roman Italic'' (1903, ATF) * Powell (1903, Keystone Foundry), commissioned by one Mr. Powell, then advertising manager for Mandel Brothers department store (earlier he had commissioned ''Pabst Old Style'' for another store), and named after him. * Village series: initially used by Goudy's own Village Press * * ''Village'' (1903, Wiebking, Harding & Co.〔Lawson, Alexander, ''Anatomy of a Typeface.'' Boston: David R. Godine, Publisher, 1990. ISBN 0-87923-332-X. p. 112.〕), cut by Wiebking. Originally designed for Kuppenheimer & Company, who later decided it would be too expensive to cast, it was later bought by Frederick Sherman. The mats are still extant and cast by Dale Guild Foundry.〔(【引用サイトリンク】url=https://www.myfonts.com/fonts/fontbureau/village/ )〕 * * ''Village No. 2'' (1932, Continental, later Lanston Monotype), cut by Goudy for an edition of Theodore Low De Vinne's ''The Old and the New'', later marketed by Monotype.〔(【引用サイトリンク】url=https://www.myfonts.com/fonts/lanston/ltc-village-no-2/ )〕 * * ''Village Italic'' (1934, Continental + Lanston Monotype), cut by Goudy. A companion to the No. 2 face. * Baron's Boston News Letter (1904, ATF), a private face cut for Joseph Baron's financial newsletter, matrices cut by Wiebking. Goudy wrote in 1946 that he had no knowledge of what became of the design and little memory of what it was. * ''Engravers' Roman'' (1904, nc), Goudy was uncertain if this type had ever been cast, and there is no mention of it in ATF's records. * Chushing Italic Goudy claimed that Clarence C. Marder asked him to draw an italic to complement ATF's existing ''Cushing Roman'' sometime after 1904, but ATF catalogs show it as existing as early as 1898, thus precluding Goudy from having designed it. * Copperplate Gothic Heavy (1905, ATF), originally designed for Marder, Luse, & Co., ATF immediately adopted it and made it the first in a hugely successful series. Clarence C. Marder and Morris Fuller Benton later cut dozens of variations for ATF. * Caslon Revised (1905, nc), Clarence C. Marder of ATF had asked Goudy to draw a more regular version of William Caslon's famous face, but the result was never cast. * Caxton Initials (1905, ATF), font included twenty-six 'Lombard capitals' and one leaf ornament only. * Globe Gothic Bold (1905, ATF), a companion to Morris Fuller Benton's ''Globe Gothic''. Sans-serif design with variable stroke width. * ''Monotype 38E Roman + Italic'' (1908, Lanston Monotype), originally made for use in Life Magazine and later marketed as ''Goudy Light'' and ''Goudy Light Italic''. Sometimes known as ''Gimbel'' because of its constant use in ads for Gimbel's Department Store. * Norman Capitals (1910, privately cast by ATF), cut for Munder-Thompson Company, a Baltimore printing firm, and named for Norman Munder. Mats engraved by Wiebking. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「List of typefaces designed by Frederic Goudy」の詳細全文を読む スポンサード リンク
|